![]() While doing so, however, he met considerable opposition. In 1980, Doi visited recording studios and broadcasting stations around the world to facilitate the commercial use of digital audio systems. In fact, it was the beautiful sound produced by the PCM-1600 that had moved Maestro Karajan so much. As a master recording system for CD software, the PCM-1600 brought digitization to the recording studio. ![]() With 30 young researchers from the Audio Technology Center, Doi began to develop and commercialize digital audio for professional use.įollowing the development of the home-use PCM-1 digital audio processor in 1977, the professional-use PCM-1600, which used the U-Matic machine, was launched in March 1978. He was responsible for introducing digital technology to recording studios throughout the world. In popularizing the CD, the contribution of Toshitada Doi was also instrumental. The digitization of studio recorders continued
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